05/24/2008: Official presentation of "SUBVERSIVE BEAUTY" and "HYPOTHETICAL LIZARD" in Kinepolis Cinemas from Granada, Spain. The teaser-trailers of both projects were shown in a Digital High-Definition Screening. LUIS ROYO and FERRAN BROOKS were present at the event.

05/17/2008: After almost a year of studying projects, scripts and different offers, finally the best option seems to produce own projects and start to look for investors and co-producers. "SUBVERSIVE BEAUTY" and "HYPOTHETICAL LIZARD" have been presented at Cannes Cinema Festival (France) 2008.

07/18/2007: Excellent representation deals achieved in USA: Agent from Endeavor (Robert Rodriguez and Guillermo del Toro, among others) and Attorney from Nelson & Suddleson (Peter Jackson, among others).

05/17/2007: A honor to adapt "CAPITÁN TRUENO" (renowned Spanish comic-book) to the big screen, although being just for the official 'teaser' presented in the Cannes Cinema Festival. A service for MALTES PRODUCCIONES produced by Euromedia Films and Kandor Graphics. The project has arisen great international interest. Thanks to Pau Vergara, Producer and Director, for his trust.

03/16/2007: The 4 FANFILMS (homages made without hope of profit) based on the following comic-books are now ready for release: BATMAN: ARKHAM ASYLUM, written by Grant Morrison, illustrated and designed by Dave Mckean; BADBOY, written by Frank Miller and drawn by Simon Bisley; CAPTAIN HARLOCK, the mythic character from 'Manga' created by Leiji Matsumoto; and SLAINE: THE HORNED GOD , written by Pat Mills and illustrated by Simon Bisley. These short-films represent nothing more than ideas of how the above-mentioned works could be adapted to the big screen.  A beautiful way to say goodbye to the marvelous, endearing, educational and diabolically wonderful world of short-films.

02/21/2007: The long-awaited fanfilms are finished at last! More than 300 digital shots full of special effects serve only as a demonstration of personal work, being definitively prohibited from obtaining any type of commercial benefit. The production figures look like this: 6 months of pre-production, 3 weeks of filming, and 2 color screens (blue and green). As for the rest, one SONY High-Definition Digital Camera, an AMD workstation (like the ones used in IL&M), and 9 months of work saturated in compositions, matte paintings, 3D environments, color corrections, et cetera...